Digital Photography Reviews

Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Lens For Nikon Digital SLR Cameras

The go-to lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon’s Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events. Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available – M, A/M and M/A – for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers’ needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject. Fast f/2.8 Zoom-NIKKOR lens
Perfect for sports, photojournalism and wildlife photography. Nikon VR II (Vibration Reduction) image stabilization
Vibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. 7 Extra-low Dispersion (ED) elements
Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings. Nano Crystal Coat

• Fast f/2.8 Zoom-Nikkor lens
• Nikon VR II (Vibration Reduction) image stabilization
• 7 Extra-low Dispersion (ED) elements;
• Nikon Super Integrated Coating (SIC); exclusive Nikon Silent Wave Motor (SWM)
• Focuses to 4.6 feet

Rating: (out of 53 reviews)

List Price: $ 2,399.95
Price: Too low to display

Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Lens For Nikon Digital SLR Cameras Reviews

Review by L. Go:

I am writing this review from the perspective of someone who also owns the earlier version of the Nikon 70-200mm f/2.8G VR Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras. This new lens will be referred to as “VR2″ in this review while the earlier version of this lens will be referred to as the “VR1″.

Here are my initial impressions after using this lens and comparing it with the earlier version of this lens, the VR1.

This professional-grade telephoto zoom lens is very well-made. Its focus is lightning fast and it produces very sharp photos with very good contrast and dynamic colors even when shot wide-open at f/2.8. The increased sharpness at the corner is easily noticeable even at f/2.8 and now makes this lens suitable for landscape shots. I find this increased sharpness at the corner beneficial even for portrait shots when I shoot off-center rule-of-thirds portrait shots. The improved color and contrast is easily noticeable in certain shots in back-to-back comparison against the VR1.

The VR mechanism is very effective and helpful in keeping the photos sharp even when shooting at low shutter speeds in low-light conditions. The 1-stop improvement over the earlier version, the VR1, makes a very big difference, specially when shooting this lens from extended to maximum focal length with no monopod or tripod support. Being able to shoot handheld at 1/10th at 200mm is no easy task but it is possible with this new version.

The tripod leg support is nothing less than excellent … slim yet very sturdy, with provision for two-screws mounting support. The tripod support can easily be rotated for shooting in vertical portrait position or downside up for easy hand carry. The tripod leg can easily be detached if needed for a less-obtrusive hold when shooting handheld.

Though this lens is heavier than the VR1, the added weight is not immediately noticeable. The shorter length and larger diameter makes for a more balanced hold when shooting handheld.

How does this lens compare with the earlier version, the VR1? Here is a quick and easy to read summary:

First, a definition of terms. The term “FX” refers to full frame Nikon camera bodies (D3x, D3s, D3 and D700). The term “DX” refers to cropped/APS-C Nikon camera bodies (D300s, D300, D200, D100, D2, D1, D90, D80, D70, D60, D40, D5000, D3000).

THE ADVANTAGES OF THIS LENS OVER THE VR1

1. Sharp corners on FX and DX, even when shooting wide-open at f/2.8

2. Less vignetting on FX and DX when shooting wide-open at f/2.8 (vignetting on DX at f/2.8 now irrelevant)

3. 1-stop improvement in VR (1-stop improvement really makes a big difference when shooting at 135-200mm).

4. Improvement in the bokeh compared to the VR1

5. Improvement in color and contrast, specially when shooting backlit subjects against the sun

6. More resistant to lens flaring (due to nano-coating)

7. Shorter more compact length makes it easier to pack, carry and use in crowded spaces

(the lens and the hood of the VR2 are both shorter than the lens and hood of the VR1)

THE DISADVANTAGES OF THIS LENS OVER THE VR1

1. More expensive than VR1

2. Slightly heavier than VR1

3. Not as good as the VR1 when used with teleconverters in DX bodies for long reach

4. Shorter reach or magnification than the VR1 when shooting at close range

(e.g., shooting at 200mm focal length is equivalent to 164mm when shooting from 10 feet away)

For FX users who still do not have a 70-200mm f/2.8G zoom lens, go ahead and acquire this lens. The corner sharpness of this newer version is remarkable, specially when stepped down for landscape shots. Even for portrait shots, the increased sharpness at the corner is beneficial when shooting rule of thirds portrait shots.

For FX users who already have the VR1, you will need to gauge whether the advantages will be worth the cost of getting this lens. If you need to shoot at this lens maximum focal length of 200mm, the lower magnification or the shorter “effective focal length in terms of field of view” when shooting at near range may be a major concern for you. This is specially a concern for events or wedding photographers. Note however that some photographers have adapted to this and actually found it helpful that the magnification remain near constant which minimizes the need to zoom out as the photographer approaches a subject or when the subject gets closer to the photographer. For some photographers, the reduced magnification when shooting at closer range is thus something that one can adapt to and take advantage of. It would still be best however to try the lens first and see how this impacts on your shooting style.

For DX only users who already have a VR1, I currently see no advantages to upgrading to this new version unless you need the one-stop advantage of the VR2, and/or if you want even less vignetting (easily corrected in post-processing), and/or if you want a lens that is more resistant to flare … and/or more importantly, planning to upgrade or to add an FX body.

For DX users who still do not own the VR1, I recommend that you seriously consider getting this lens. Not only do you get the benefits of the newer version as listed above, getting this lens means that you will be well-positioned when you upgrade or add an FX body. Once you acquire or add an FX body, it will not surprise me that you will be doing a lot more shooting with the FX than with the DX. Since this lens is optimized for the FX, then getting this lens over the VR1 may prove to be a good decision. With regard to the issue of a shorter effective reach when shooting at near ranges, this should not be an issue with DX due to the 1.5X field of view of the APS-C sensor. If anything, it may even be an advantage when shooting up close.

Ultimately, both versions of the Nikkor 70-200mm f/2.8G have their strengths and their weaknesses and it is up to the user to decide which version best fits his/her requirements.

As an FX and DX user, I have bought this new version knowing full well its strengths and its one limitation. The VR2 improved on what is already an impressive performance of the VR1, and then some. Except on the issue of lower magnification or focus breathing which hardly matters for me, the VR2 is an impressive step-up from the VR1.

I did retain my VR1 but this is primarily as a substitute to using a Nikkor 200-400mm f/4 VR. Matched with my 3 kinds of Nikkor teleconverters, the The VR1 is my lighter (and less expensive) version of the Nikkor 200-400mm and I use this with my DX D-300. The excellent center resolution of the VR1 is an asset when used in this manner. The other time when I use the VR1 on my D300 is when my VR2 is already on my D700. For all other usages however, I use the VR2 whether on FX or DX.

EDIT: For those who need to shoot up-close at 200mm focal length for maximum reach, this bit of info will be helpful.

Distance of subject / Effective focal length in field of view of the Nikon VR2 at 200mm

(Nikon 70-200mm VR2 at 200mm compared against a Nikon 200mm prime/fixed focal length lens)

1.27m …………… 128mm

1.40m …………… 132mm

2.00m …………… 147mm

3.00m …………… 164mm

5.00m …………… 176mm

10.0m …………… 186mm

Credits: Marianne Oelund

Review by dilemnia:

Speaking as a professional photographer – I have been using the original 70-200mm VR 2.8 for a while now and loved every moment of it. It doesn’t matter how familiar I am with this lens, it still feels magical at times to be able to separate subject and background while pulling the background in as smooth bokeh. As most pros will tell you, the 70-200mm VR 2.8 “is” the bread and butter wedding portrait lens and more. That was then. This is now – as soon as I saw the announcement of this “new version”, I pre-ordered it. While reading colleague Cliff Mautner’s blog, I simply couldn’t wait!! It finally arrived early this month(12/2009), I did some quick in-home test and was extremely impressed!! Not to reiterate on the amazing optical quality, the new version VR allows me to get a sharp image down to 1/5th!! and consistently at 1/15th. (The best 00 I’ve ever spent!!). I packed up the original version and was getting ready to eBay it the following week!

I then took the lens for a real-world test few days later on my last wedding of the year. To give you some background – I always use this lens during ceremonies and in churches while knowing my movements are limited. I usually capture journalistic ceremonial actions as well as the reactions at either end of the pews at about 10-20 feet distance to produce intimate images. Something struck me as odd this day. I initially felt the reach was somehow inadequate, especially at 200mm, but, knowing that I should just love this lens, I quickly attributed this to the large church I was shooting in. However, after reading some reviews and complaints, I reluctantly compared this new version to my original 70-200mm VR 2.8 and then the 70-300mm 4.5-5.6 ED (as a second opinion) and found out that at 200mm, this lens indeed comes in shorter. It’s like a 65mm-155mm equivalent at about 7 feet distance comparing to the other two lenses. The original 70-200mm VR 2.8 and the 70-300mm 4.5-5.6 ED was about the same at 200mm which the latter zooms in just a tiny bit closer. Unfortunately for those who doesn’t owned the original 70-200mm VR 2.8, it would be hard to compare. But if you have the original on hand, please try it for yourself. Use a tripod and shoot a fix subject with all these lenses. It’s easy to compare the older and the newer versions, simply turn both to 200mm and shoot it. As for the 70-300, dial the ring to 200 and align the middle zero to the indicator dot on your focal ring, you should get a solid 200mm reading from your EXIF data. The difference should be obvious. I am well aware that there’s going to be variations between lenses, but as for the same manufacturer and essentially the same lens, the difference is simply too great. I will wait for the New Canon 70-200mm which I doubt would have this issue (Update 4/24/10 – The new Canon 70-200mm IS II is simply amazing – without the Nikon magnification shrink issue).

With the exception of a flimsier hood and the magnification shrink issue, this lens is overall slightly better in just about every other aspect than the Original (since the original is already a “CLASSIC”, it’s hard to do much better). Nonetheless, there’s definitely improvements in color, vignette control, CA, distortion, and the VR is simply “incredible”. Also, this lens is just a tiny bit shorter and it doesn’t look like a “Bamboo” stick as the original:)

(It breaks my heart to rate this “new version” 4 stars not because it’s performance and construction but simply because that it does not “replace” the lens that it’s “supposed to” replace. The focal length changes with the distance so the 65-155mm is a rough average while shooting within 30 feet. The closer you are to your subject, the worse it gets. For instance, at minimum focusing distance, the new 200mm is about the equivalent of 130mm on the original!! And more unfortunate for me, I shoot most of my subjects within 30 feet distance. Here’s the full comparison at under 30 feet distance(added 1/10/10) – I did the test personally using Manfrotto 190 CXPRO3 and a tape measure:

New 70-200 VR II……..Original 70-200 VR

4ft. 200mm…………………130mm

6ft. 200mm…………………150mm

10ft. 200mm…………………170mm

15ft. 200mm…………………175mm

20ft. 200mm…………………180mm

25ft. 200mm…………………180mm

30ft. 200mm…………………190mm (even at 30 feet, it’s still not a 200mm comparing to the original)

So picture this, if you are in a tight church 10 feet away from your subjects and crouched between a rock and a hard place, would you say that it’s okay when you want to use a “200mm” lens for close-ups of a ring exchange(for instance) but realize that you only have a “170mm”?!! Sure you can crop, but that means you are going to lose 3-5 megapixels of resolution! This is exactly why I felt the reach was “inadequate” during my initial real-world test. Yes, if you move away far enough from your subject the effective focal length will eventually equate to the original but then again, it simply isn’t the same application anymore.

Some has brought up the issue of magnification ratio (in comment, thanks to ATK!!) – everyone knows that one can get the same 1:1 ratio from a 50mm vs 60mm vs a 105mm etc.. But that’s not really the issue “here”. With macro applications, one can simply change the mag ratio/distance by moving a few inches to and fro the subject but with real human subjects, a few inches becomes a few feet!

Hence, if one normally use this lens at various distances within 30 feet, you will notice a huge change. The closer you get, the more severe it will be. While capturing moments as it unfolds in a fraction of a second, this lens’ focal length just isn’t as effective comparing to the original version. I love all my Nikons gears and this is perhaps the first real disappointment that I had to encounter for a while. (Perhaps another is the SB-900’s overheating problem.) This focal length issue may not be too serious to many people but as far as my personal applications specifically assigned to this lens, and perhaps to many others like me, it is quite irksome.

One last thing, to capture normal human movement(not fast action), 1/100th of a second is a good start. I usually opt between 1/80th -1/160th as minimum – depending of the speed of the movement. So for this application, the VR will only keep your lens steady but it will not stop action. You will undoubtedly get a motion blur at 1/10th, 1/15th, 1/30th, 1/40th, etc.

Thanks – Sean Marshall Lin

Buy Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Lens For Nikon Digital SLR Cameras now for only Too low to display!

Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras

Includes Nikon 70-200mm f/2.8 AFS VR lens case hood tripod collar lens caps.

• Compact, lightweight G-type fast 2.9x telephoto zoom with Vibration Reduction
• VR operation offers the equivalent of using a shutter speed 3 stops (eight times) faster
• Holds fast and constant f2.8 maximum aperture through the entire focal range
• Built-in Single Wave Motor for ultra-fast, ultra-quiet AF operation
• Five ED glass elements for higher optical performance

Rating: (out of 91 reviews)

List Price: $ 2,295.00
Price:

Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras Reviews

Review by Roger J. Buffington:

This lens has only two “faults.” First, it is big and heavy–quality construction often yields a heavy lens. Second, once the photographer has seen the results that this lens can produce, there is a likelihood that he or she will be unhappy with the other lenses in the camera bag.

Results first: the images are razor sharp with this zoom mounted on my Nikon D70s. I can get shots that I never could get before because this lens is so crisp that subjects taken at a distance nevertheless can be cropped to produce an acceptable close-up image. Subjects taken at more normal distances are breathtakingly sharp–as if shot with an excellent prime lens. This is a fast lens (F/2.8 throughout its entire zoom range). Almost more importantly, this lens has the best “Bokeh” that I have ever experienced in a lens. “Bokeh,” to the extent that I understand the concept (it is a Japanese word meaning roughly “unfocused”), is a word describing whether the out-of-focus portion of an image (i.e. a blurred background in a photo in which only the subject is in focus) has a pleasing look to it. This lens produces wonderful, creamy Bokeh. The sharpness and Bokeh, combined with the excellent bright color rendition of this lens, makes this one a true classic.

I have occasionally experienced minor ghosting on this lens when shooting into a very bright subject, i.e. the sun reflecting off of the ocean. This is a normal shortfall of a zoom lens comprised of a multitude of elements, and I have sometimes experienced this. But such occasions are rare.

The autofocusing action of this lens is very good. Even birds at very long distances usually produce a quick, snappy autofocus lock on my Nikon D70s. Very seldom does it “hunt” for an AF lock, and these occasions are likely due to operator error rather than the lens. This lens also features Vibration Reduction (VR) which enables it to produce acceptable images below what an F/2.8 lens would otherwise be suitable for. The VR really works, too, although it is by no means a panacea for dim lighting.

This is one of Nikon’s professional lenses, and the quality of construction is excellent. The critical mount is metal, and the entire lens is built like a tank. The lens comes with a nice squeeze-style lens cap, and a very good lens hood that can be easily reversed for storage.

The reader can see that I am extremely enamored with this lens. The reason is that, notwithstanding its bulk and weight, this lens produces the best nature shots that I have ever managed to take, by far.

Review by Robert Brody:

Yes, this lens is already legend, and no, it’s not just a bunch of people trying to justify spending a whole lot of cash on a lens. Make no mistake, this lens is BIG and expensive. It’s not fitting into your travel bag nor is it at home at a friend’s party. For that bring the 18-70mm, 28-200G or just bring a cheaper P&S type camera in case you spill beer on it!

The 70-200 VR is a pro level lens that gets almost everything right. It’s size is the byproduct of an optical design that really makes few, if any compromises. This lens is SHARP…as sharp as my 50mm prime and sharper wide open that you might believe or expect. On a D70 the focus is lightening fast and quite exact. Color rendition is the best I’ve seen. I do much less post processing when this baby is on the D70.

On the problematic side, this lens is BIG. It’s heavy and in the way, though reasonably easy to grasp. I added a Harbortronics portrait grip and the handling/balance is improved. It needs a big bag and focuses down to a bit under 5 feet. While it’s a fantastic portrait lens, you need room to get the most out of it. My first shots with this lens put my more experienced lenses to shame. The bokeh, or quality of out-of-focus areas were creamy and pleasing. Subjects had a 3D quality to them.

The VR system is exactly what you’d expect. I sat on my couch, framed the text on my DVD player about 8 feet away and shot at F/2.8 ISO 200 for a 1/2 second exposure. At 200mm (300mm on the D70) the image was sharp. Without VR I got a big blur.

The real question is: Do you need a 1700 dollar lens?

Answer: Only if you want it. The quality is all there at a level that has people talking about this lens like it’s magic. I have friends who shoot pro with Canon and Nikon. Even the Canon users say the 70-200VR is the best of it’s kind. Sell a kidney and buy one!

Buy Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras now for only !

Wildlife Safari Adventure Package Features a Powerful Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras

Light and practical enough to carry all over Africa for the week you’re there. A good safari company ought to get you close enough so a 300mm lens should be fine. Anything bigger will be to heavy to carry around for a week or so. AF Nikkor lenses work with Nikon SLRs for optimal performance, even the very latest. The Nikon 70-200mm f2.8G IF-ED AF-S VR is a compact, lightweight G-type fast telephoto zoom with Vibration Reduction. VR operation offers the equivalent of using a shutter speed three stops (eight times) faster. In addition, active vibration mode selection is possible, for use in an active situation such as in a car, boat, or plane. VR On/Off mode available.

• Wildlife Safari Adventure Package Features for Nikon SLR Digital Camera Features;
• #1. Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras #2. 3PC Pro Series Filter Kit
• #3. Bower 2X AF Converter for NIKON E1, E2, E3, D1, D1H, D1X, D3, D40, D40X, D50, D60, D70, D70s, D80, D90, D100, D200, D300, D700, D2H, D2Hs, D2X, D2Xs
• #4. Giottos MM-9750 4-section Aluminum Pro Monopod #5. Lowepro Flipside 300 Backpack (Artic Blue)
• #5. Zeikos Hard Rubber Lens Hood (Black) #6. 5PC Cleaning Solution & Wipes #7. Micro Fiber Dust Cloth #8. 1PK of Screen Protectors

Price: $ 2,399.88

Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Lens For Nikon Digital SLR Cameras + 3PC Filter Kit for Digital SLR Cameras + Accessory Kit

This fast f/2.8 Zoom-Nikkor lens is perfect for sports, photojournalism and wildlife photography. Vibration Reduction, engineered specifically for each VR Nikkor lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings.

• Fast f/2.8 Zoom-Nikkor lens
• Nikon VR II (Vibration Reduction) image stabilization
• 7 Extra-low Dispersion (ED) elements;
• Nikon Super Integrated Coating (SIC); exclusive Nikon Silent Wave Motor (SWM)
• Focuses to 4.6 feet

Price: $ 2,349.97

Nikon D3S 12.1 MP CMOS Digital SLR Camera + Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens + Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Lens For Nikon Digital SLR Cameras

Kit Includes:
1) Nikon D3S Digital SLR Camera (Camera Body)
2) Nikon AF-S Zoom Nikkor 24-70mm f/2.8G EDAutofocus Lens
3) Nikon AF-S Zoom-Nikkor 70-200mm f/2.8G ED VR II Lens
The Nikon D3S Digital SLR Camera is ruggedly constructed of weatherproof, silicon-sealed magnesium-alloy components and contains a re-engineered 12.1-megapixel FX-format (full-frame,
23.9 x 36mm) CMOS sensor capable of producing still images and HD video at ISO levels up 102,400. The D3S captures JPEG, RAW, RAW+JPEG, or TIFF image files at up to 9 frames-per-second in FX-format, or
11 frames-per-second when shooting in DX-mode. The buffer is equally impressive and can handle up to 42 RAW files or 130 large JPEGs.
The Nikon AF-S Zoom Nikkor 24-70mm f/2.8G ED Autofocus Lens is a fast aperture standard zoom lens designed for photojournalism and general photography. Optimized for edge-to-edge sharpness on
both the Nikon FX (full-frame) and DX-format image sensors, this lens also includes two ED (Extra-low Dispersion) elements and PGM aspherical lenses that help control chromatic aberrations while enhancing sharpness and contrast, even at the widest aperture settings.

 The Nikon AF-S Zoom-Nikkor 70-200mm f/2.8G ED VR II Lens features an innovative Vibration Reduction (VR) system that allows handheld telephoto zoom shooting even in poorly lit conditions. The VR system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 4 stops faster than what the camera is set for.

• 12.1-megapixel, FX-format CMOS sensor; 720p HD video capture
• Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens + Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Lens For Nikon Digital SLR Cameras
• Low-noise ISO sensitivity from 200 to 12,800; continuous shooting up to 9fps
• Fast, accurate 51-point AF system; Nikon EXPEED image processing
• 3-inch super-density 921,000-dot VGA LCD; one-button Live View with two shooting modes

Price: $ 12,499.97

Nikon D3x 24.5MP FX-Format Digital SLR, Nikon 24-70mm f/2.8G ED-IF AF-S Wide Angle-Telephoto Zoom Nikkor Lens, Nikon 70-200mm f/2.8G AF-S VR Zoom-Nikkor ED-IF Lens w/ Hood Willoughbys Extreme Power & Precision Bundle

Nikon is proud to announce the new 24.5-megapixel FX-format (35.9 x 24.0mm) D3X digital SLR camera! Joining the award-winning 12.1-megapixel D3, the D3X brings extreme resolution performance to Nikon professional flagship-level D-SLRs. The D3X was meticulously engineered for professional photographers whose assignments demand nothing less than the ability to capture extreme fidelity, detail and nuance in ways now made possible with the amazing D3X. Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. The fast, wide-angle to medium telephoto AF-S zoom lens from Nikon is optimized for edge-to-edge sharpness on both the Nikon FX (23.9 x 36mm) and DX-format image sensors, with focus as close as 14.9 inches. Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras. AF Nikkor lenses work with Nikon SLRs for optimal performance, even the very latest. The Nikon 70-200mm f2.8G IF-ED AF-S VR is a compact, lightweight G-type fast telephoto zoom with Vibration Reduction. VR operation offers the equivalent of using a shutter speed three stops (eight times) faster. In addition, active vibration mode selection is possible, for use in an active situation such as in a car, boat, or plane. VR On/Off mode available. Included In Willoughbys Extreme Power & Precision Bundle: Nikon D3x (25442) 24.5MP FX-Format Digital SLR (Body Only) W/ Nikon 24-70mm f/2.8G ED-IF AF-S Wide Angle-Telephoto Zoom Nikkor Lens (2164) W/ Nikon 70-200mm f/2.8G AF-S VR Zoom-Nikkor ED-IF Lens w/ Hood (2139)

• Extreme resolution 24.5-megapixel FX-format (35.9 x 24.0mm) CMOS sensor
• Nikon EXPEED image processing technologies; 138 MB processed NEF (RAW) 12 or 14-bit image files
• 3-inch super-density 920,000-dot VGA LCD monitor; 100 percent viewfinder coverage
• Two Live View shooting modes; continuous shooting at up to 5 fps at full FX-format resolution
• Dual CF card slots with overflow, backup and copy options

List Price: $ 8,700.00
Price: $ 12,500.00

Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Zoom Lens + 3 Hoya Filters for Digital Cameras + Accessory Kit

This lens offers fast aperture, f/2.8 zoom features VR II image stabilization, ED glass and Nano Crystal Coat. It excels at low-light sports, fashion, portraits, photojournalism and more. Vibration Reduction, engineered specifically for each VR Nikkor lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. 7 Extra-low Dispersion (ED) elements
Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings. Nano Crystal Coat
Further reduces ghosting and flare for even greater image clarity. Nikon Super Integrated Coating (SIC)
Enhances light transmission and offers superior color consistency and reduced flare. Exclusive Nikon Silent Wave Motor (SWM)
Enables fast, accurate, and quiet autofocus. Rounded 9-blade diaphragm
Renders more natural appearance of out-of-focus image elements. Internal Focus (IF)
Provides fast and quiet autofocus without changing the length of the lens, retaining subjectworking distance through the focus range. Focuses to 4.6 feet
Close focusing provided throughout the entire zoom range for extended versatility. M/A focus mode switch
Enables quick response to changing situations between manual and autofocus operation. Flower-shaped lens hood
Included HB-48 lens hood–shades the objective from unwanted, image-degrading light.
++PLUS++ Deluxe Accessory Kit: Hoya Digital Filter Kit: Includes; UV HMC filter, Absorbs the ultraviolet rays. HMC filters are recommended for enhancing the performance of today’s multicoated lenses. PL-CIR Circular Polarising filter, remove unwanted reflections from non-metallic surfaces such as water, glass etc. NDx8 (Neutral Density) filter ND filters & Filter case – Lens Pen Cleaning Tool – Professional Dust Blower – Cap Keeper Front Lens Cap Leash – Lens Care & Cleaning Kit – Advanced Micro Fiber Cleaning Cloth.

• Nikon 70-200mm f/2.8G ED VR II AF-S NIKKOR Lens For Nikon Digital SLR Cameras (Includes manufacturer’s supplied accessories)
• Hoya Digital Filter Kit: Includes; UV HMC filter, PL-CIR Circular Polarising filter, NDx8 (Neutral Density) filter & Filter case
• Lens Pen Cleaning Tool – Professional Dust Blower
• Cap Keeper Front Lens Cap Leash
• Lens Care & Cleaning Kit – Advanced Micro Fiber Cleaning Cloth

List Price: $ 2,649.99
Price: $ 2,459.95

Nikon D300s Digital SLR Camera + 18-55mm AF-S VR Lens + 70-200mm f/2.8G II VR + Nikon EN-EL3e Battery + Cleaning Kit

Kit includes:
♦ 1) Nikon D300s Digital SLR Camera Body
♦ 2) Nikon 18-55mm f/3.5-5.6G VR AF-S DX Zoom Lens – NEW (No Original Box)
♦ 3) Nikon 70-200mm f/2.8G VR II AF-S ED-IF Zoom-Nikkor Lens
♦ 4) Nikon EN-EL3e Rechargeable Li-ion Battery
♦ 5) Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit
♦ 6) Digital Camera LCD Monitor Screen ProtectorsThe easy-to-use DX-format D300s offers outstanding image quality, multi-functional technologies and 720p HD Video Recording capability. With 12.3

megapixel resolution, speedy 7 fps frame advance, dual CF/SD memory card slots, self-cleaning sensor unit and high definition 3″ VGA LCD display, the D300s

is a breakthrough solution for photographers searching for an advanced compact SLR. Packed with the latest technologies and Nikon’s renowned ergonomics, the

D300s is ideal for professionals on a budget.The Nikon AF-S Zoom-Nikkor 70-200mm f/2.8G ED VR II Lens features an innovative Vibration Reduction (VR) system that allows handheld telephoto zoom shooting even in poorly lit conditions. The VR system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 4 stops faster than what the camera is set for.The Nikon 18-55mm f/3.5-5.6G VR AF-S DX Lens is an ultra compact, lightweight standard zoom lens that has a 3x focal zoom range and is ideally suited for use with compact Nikon digital SLR cameras. This lens offers the most basic zoom range in the DX lens series, an equivalent focal length in 35mm terms of 27-82.5mm.This is a lens that was originally packaged with the Nikon D60 Digital SLR Camera, and never included its own outer box. It still includes ALL original accessories (the Nikon full Warranty Card, Instruction Manuals, and Lens Caps). This lens is all BRAND NEW and has NEVER been used.

• KIT INCLUDES 6 PRODUCTS — All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
• <#1> Nikon D300s Digital SLR Camera Body PLUS + <#2> Nikon 18-55mm f/3.5-5.6G VR AF-S DX Zoom Lens – NEW (No Original Box) +
• <#3> Nikon 70-200mm f/2.8G VR II AF-S ED-IF Zoom-Nikkor Lens + <#4> Nikon EN-EL3e Rechargeable Li-ion Battery +
• <#5> Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit +
• <#6> Digital Camera LCD Monitor Screen Protectors

Price: $ 3,649.95

Nikon 70-200mm f/2.8G VR II AF-S ED-IF Zoom-Nikkor Lens + Nikon Cleaning Kit + Accessory Kit for Nikon D3, D3s, D3x, D300, D200, D40, D40x, D60, D5000, D90, D700, D300s & D3000 Digital SLR Cameras

Kit includes:
♦ 1) Nikon 70-200mm f/2.8G VR II AF-S ED-IF Zoom-Nikkor Lens
♦ 2) Nikon LensPen Pro Kit Cleaning System
♦ 3) Nikon Microfiber Lens Cloth with Neoprene Pouch
♦ 4) Precision Design Deluxe Hurricane Blower

The Nikon AF-S Zoom-Nikkor 70-200mm f/2.8G ED VR II Lens features an innovative Vibration Reduction (VR) system that allows handheld telephoto zoom shooting even in poorly lit conditions. The VR system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 4 stops faster than what the camera is set for. This is the perfect lens for low-light, sports, fashion, portraits and other images that require distance between the photographer and subject.

The Nikon LensPen Pro Kit includes everything you need to keep your optics in peak condition. There are two LensPens – the Standard size pen for cleaning larger lens surfaces and the Micro pen for compacts, LCD displays and rangefinders. The Dry Anti-Fog Cloth is a reusable cloth that utilizes a breakthrough dry compound that stops condensation from forming on lens surfaces. The Microfiber Cleaning Cloth is anti-static for cleaning the housings of optics equipment and more.

The 6×6-inch Microfiber Lens Cloth from Nikon removes smudges and other surface grime from your delicate optics.

The Precision Design Deluxe Hurricane Blower is very powerful and easy to use cleaning system. The super air stream blows off dust particles, even those attracted by static electricity.

• KIT INCLUDES 4 PRODUCTS — All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
• <#1> Nikon 70-200mm f/2.8G VR II AF-S ED-IF Zoom-Nikkor Lens PLUS +
• <#2> Nikon LensPen Pro Kit Cleaning System +
• <#3> Nikon Microfiber Lens Cloth with Neoprene Pouch +
• <#4> Precision Design Deluxe Hurricane Blower

Price: $ 2,219.95

Nikon 70-200mm f/2.8G AF-S VR II Zoom-Nikkor ED-IF Lens Kit,- Black Finish – with 5 Year Nikon U.S.A. Warranty, Tiffen 77mm Photo Essentials Filter Kit, Lens Cap Leash, Digital Camera & Lens Cleaning Kit

New fast telephoto zoom lens AF-S NIKKOR 70-200mm f/2.8G ED VR II for use with digital- and film-SLR cameras. A number of unique Nikon technologies have been adopted for this lens, including the use of seven ED glass elements, Nano Crystal Coat, a vibration reduction (VR II) system that provides camera shake compensation equivalent to increases in shutter speed by four steps, and a Silent Wave Motor (SWM). This fast telephoto zoom lens provides the excellent performance and superior image quality demanded by professional and advanced amateur photographers. With release of this lens, Nikon has structured an incomparable NIKKOR zoom lens system that also includes the current AF-S NIKKOR 14-24mm f/2.8G ED and AF-S NIKKOR 24-70mm f/2.8G ED for complete coverage of focal lengths from 14mm to 200mm with support for a maximum aperture of f/2.8 throughout the entire range. The AF-S NIKKOR 70-200mm f/2.8G ED VR II offers excellent performance throughout its range of focal lengths, from the natural rendering characteristics of mid-range telephoto positions to the compressed perspective of telephoto positions. The lens makes the most of a wide variety of scenes, from portraits to staged events as well as sports photography under nighttime lighting, press photography, and scenes that require soft rendering of out-of-focus portions. The use of seven ED glass elements provides the ultimate in rendering characteristics for capture of images exhibiting exc

• Nikon VR II (Vibration Reduction) image stabilization Vibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper ima
• 7 Extra-low Dispersion (ED) elements Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings.
• Nano Crystal Coat Further reduces ghosting and flare for even greater image clarity.
• Nikon Super Integrated Coating (SIC) Enhances light transmission and offers superior color consistency and reduced flare.
• Exclusive Nikon Silent Wave Motor (SWM) Enables fast, accurate, and quiet autofocus.

Price: $ 2,301.43